Julie K. Rose

Fri, 20 Apr 2007 15:44:03 GMT

So, I've pretty much sucked at keeping this LJ updated. At this point, I'm just going to post now and again over at http://juliekrose.blogspot.com, so drop on by whenever you feel the urge.

Thu, 01 Mar 2007 00:56:16 GMT

You've all probably already seen this, but I found it amusing: via MakingLight - the Gender Genie!

Based on an algorithm ("typical" male or female words used), it claims to predict the gender of an author by their work. You paste 500+ words of your work into this tool/game/thing and voila!

Of course, I couldn't resist, and the results were hi-larious.

THE PILGRIM GLASS - male [male protagonist]
THE MIDNIGHT SON - male [male protagonist]
My Oleanna novel-in-progress - female [female protagonist]
Short story (Humility) - female [female protagonist]
Short story (Raven Girl) - male [female protagonist]
Short story (The Valley) - male [male protagonist]

I'll have to dig more deeply into what they consider "female" vs. "male" words. According to this, based on my magnum opus of 6 pieces, I'm a guy. Huh. Guess I'd better tell Craig.

SF Writers Conference

Fri, 16 Feb 2007 13:44:24 GMT

Heading up to SF this morning for the San Francisco Writers Conference. So much fun stuff – Po Bronson is doing the evening keynote tonight, and the program is good this year. Oh! And Chris Baty from NaNoWriMo will be there – I won't be in his talk, but I will be shaking his hand. Love NaNo. I'm looking forward to the sessions on how the publishing industry works, and the session on adapting your book for the screen. I'm bringing my camera, so hopefully I'll have some good shots to share with you on Monday.

And, cross your fingers for me – THE MIDNIGHT SON is a finalist for the adult fiction award in the conference contest. I'll find out tomorrow after lunch if I've won!

Word-hoard
adoxography: good writing on a trivial subject

Myths, symbols, and folklore
squirrel: "In Germanic mythology it is sacred to the god of fire and the god of thunder, and it lived in the world ash tree, Yggdrasil. In antiquity the squirrel was a symbol of Hermes because of its ability to move to many different levels." (Herder)

Thu, 15 Feb 2007 14:33:11 GMT

Busy, busy - catch you all on the flipside!

Word-hoard
cheimaphilic: fond of winter, or of cold

Speed dating with agents

Wed, 14 Feb 2007 14:13:10 GMT

A popular feature of writing conferences is this "speed dating" concept – with both agents and editors. The concept is simple: you sit at small table with an agent in a loud and overcrowded room and pitch your story. Easy, right? Um. Not so much. It's nerve-wracking and while the agents are always polite you've gotta believe that at the end of the 2 hours, they're exhausted not as attentive as you'd hope. But, at least when you meet with an agent face-to-face, they can ask for clarifications (and you can see where you need to improve your pitch).

I was lucky enough to spend 10 minutes with a guy named Kevin Smokler at my first writing conference. He's not an agent, but he knows the industry (especially online promotion). There was less pressure on me to pitch, but he absolutely tore my pitch apart. This is where I really learned that a thick skin is a requirement. It was possibly the most brutal 10 minutes I've spent in a long time (at least in my writing life) – he was very kind, but he didn't get what I was trying to say, because I hadn't found the heart of my story to pitch. So, the point is – the first meeting likely going to suck, but you'll learn so much.

The speed dating concept is good for maximizing the agents' time, and I can appreciate that, but at least at SFWC last year, it was barely controlled chaos: 50 writers standing in line for the agents, chattering, bumping into each other, nervous. If it's stressful for the writers, it's got to be even more so for the agents, glancing over your shoulder while you're giving your pitch, looking at the 20 people in line behind you, and wondering if they'll ever get a bathroom break. I actually prefer how the folks at the East of Eden and Historical Novel Society conferences set it up – you get appointment times with 2 or 3 agents at times throughout the conference.

Word-hoard
nubility: marriageableness

Myths, symbols, and folklore
yoni "As the female correspondent to the linga, it symbolizes the maternal womb and the capacity to give birth. The yoni is usually depicted as the base of the linga. The graphic sign for the yoni is a triangle standing on its apex."

Tue, 13 Feb 2007 14:00:18 GMT

Pooped. Loonnnnnnnnnnnnnng day of meetings at work yesterday, and then a work team dinner that went late. I have nothing of consequence or interest for you today, all I can offer is an awesome word-hoard.

Word-hoard
shazzying: dancing

Mon, 12 Feb 2007 13:42:00 GMT

Thank you Richard Amyx of South Bay Writers (our chapter of the California Writer's Club)! This kindly gentleman has taken the time to put together an up-to-date, annotated list of literary journals. He includes submission guidelines and comments on the journal in question.

A Submission Guide to Little Magazines (Literary)

According to the site, the list was originally pulled together for a graduate class, and he's taken it and expanded it. The criterion for inclusion is the magazine has published at least one story that was awarded a Pushcart Prize. "In other words, the magazine demonstrates sound editorial judgment."

Super useful, but again I have to wonder: why all the genre hating? Certainly it's the prerogative of these journals to publish what they are interested in and think is good writing – but there's so much good writing in "genre" and cross-genre books and stories as well.

Anyone have recs for good/interesting journals in the fantasy/mythic/magical realism realm? How about for historical? I quite enjoy Solander from the Historical Novel Society. Any others?

Word-hoard:
poecilonymy: the use of several names for one thing

Myths, symbols, and folklore
Because they're blooming here right now: almond tree: "Because it blossoms in January in Mediterranean lands, it became a symbol of alertness (because it 'awakes' so early) and rebirth." (Herder)

More on historical dialogue

Fri, 09 Feb 2007 13:32:06 GMT

My friend Tim, a fellow writer, dropped me an email with this fantastic take on writing historical dialogue:

Read your blog on historical dialogue - here's my two cents: have your characters say what is true - the truth inside them. Keep it simple. Keep it genuine. The dialogue does not have to emphasize the given historical period though it should not be anachronistic. Have them say only what they need to say to reveal themselves and advance the conflict of the story. In my opinion, too many historical writers are gilding the lily with period chatter trying to make it seem "real". So many of the words put into the character's mouths should be cut out. Some periods are more formal. The syntax might be different. But the reason why people talk has never changed. The goal is to give an impression of the time so you don't notice it. It's like salt - just a little bit for flavor.

Outstanding advice!

Word-hoard:
diacope: the separation of a word by the interpolation of another or others, as in absogoddamlutely; a deep cut or wound

Myths, symbols, and folklore
wheat: The sowing, growth, and harvesting of grain, specifically of wheat, have represented birth and death as well as death and rebirth. In ancient Greece, the head of grain, as the fruit of the maternal womb of the earth, symbolized the fruit of the human body; it was a symbol of Demeter and played a central role in the Eleusinian mysteries. In Egypt the growing of wheat was regarded as a symbol of Osiris rising from the dead. In the Middle Ages the grain of wheat signified Christ descending to and resurrected from the underworld." (Herder)

Blog rec

Thu, 08 Feb 2007 23:46:21 GMT

I know, I know, what am I doing posting in the middle of the day? Well, I had to rec this blog: http://nathanbransford.blogspot.com/ Nathan's an agent with the SF office of Curtis Brown, and entirely too young but I'll forgive him because he's fricking funny.

I know Kristin Nelson does some great posts about the intricacies of the publishing contract. But she never mentioned "hos" and "Pocahantas" alongside information about royalties and advances (which I now understand), so to me that gives Nathan a leg up.

Sadly, he rejected my query, but I'll forgive him if he keeps making me laugh.

I got nothin

Thu, 08 Feb 2007 13:37:21 GMT

Well, almost nothin. Got the kindest rejection email yesterday, which was a nice antidote to the photocopied stock rejection letters most agents send.

Oh, and Literate Kitten recommended Persuasion for my reintroduction to Austen, which I'm excited about. I'll have to wait until I finish the 4 books on my nightstand, however. o_O

Word-hoard
manqué: "unrealized, as a goal; unfulfilled"

Myths, symbols & folklore
shoe: "In antiquity the wearing of shoes was a prerogative and symbol of the free person; slaves went barefoot. The shoe (having, so to speak, a 'female' form) is related to the phallic symbolism of the foot and was a fertility symbol in various harvest and marriage customs."

3 Things

Wed, 07 Feb 2007 13:59:45 GMT

Thing the first: did you see the Litpark article about the evolution of Neil Gaiman's hair? Oh yeah. Good times.

Thing the second: )*(#$)(*#)#($)(#*%(*#$ Sharks. They're killing me. Dallas and Anaheim have owned us this week. Gah.

Thing the third: OK. Writing dialog in a historical context is hard as hell. Well, at least for me. While I'm given to rich, detailed description in my scene setting, my dialog tends to be very real. I like the juxtaposition. In my first two novels, the setting is 2000 and 2004 respectively, so the dialog is very modern. In fact, I had to do a fuck-ectomy on my first novel. My protagonist, Jonas, had a mouth like a sailor (not unlike his creator…) so I had to ratchet that wayyyy back. Too real?

But the novel I'm working on now is set in 1905. In Norway. And I'm having the devil of a time. With my novella set during the late 14c, it seemed easier – I felt much more comfortable attempting an "antique" style. But that seems terribly out of place for a novel set in the 20th century. I thought maybe re-reading Sister Carrie or The Damnation of Theron Ware to get the rhythm of language at the turn of the century – but then I wonder if, because the authors and their characters are all American, it won't be a good representation of what I'm looking for. Argh.

So. If you write historical fiction, how do you deal with dialog?

Word-hoard:
leptology: a boringly detailed discourse on trivial subjects

Myths, symbols, and folklore
ash tree: "It plays a significant role in Norse mythology as Yggdrasil, the eternally green ash tree that holds together, earth, heaven, and hell. For the Greeks the ash, and particularly its wood, signified mighty solidity and stability; occasionally the ability to frighten away serpents was ascribed to it." (Herder)

Tue, 06 Feb 2007 14:13:18 GMT

Sleeeeeeeeepy this morning, so I go the lazy route and bring you a link!

Media Bistro's blog Galley Cat is a chatty (and sometimes bitchy) take on the book industry. Interesting insider tidbits and useful business information.

Word-hoard:
fremescent: an incipient murmur; becoming noisy

Myths, symbols, and folklore
apotropaic figures: "They are grotesque heads or faces whose horrific expressions have served since ancient times to ward off hostile influences (e.g., the Gorgoneion). Their repulsive appearance symbolizes the gesture of rejection and banishment. The Egyptian Bes, when depicted with a grotesque appearance rather than with a smiling face, fulfilled the same function." (Herder)

Mon, 05 Feb 2007 13:47:35 GMT

I got into a discussion with awelkin last week about the creative process. It got her thinking and her answer was fascinating (found here): she loves to act, to pretend she's someone else – for a variety of reasons. She found that traditional acting wasn't for her, so she writes and does a lot of cosplay. What fascinated me most was when she said that, "when I write, I am the characters that I write…I climb into their heads, feel their emotions, go through what they do, and it's the biggest adrenaline rush on the freakin' planet…I am dramatis personae, the entire cast list. I listen to them, but they're also like this mask that I put on."

That really got me thinking. Why do I write? Fiction is something I took up only about five years ago, so it hasn't been a lifelong hobby or impulse. Though, like Catherine, I can't not do it – now that I've started, I can't stop. I feel more like me, more centered, when I'm writing – during the time I'm actually sitting there, and in general when I'm working on something. So, that's the amorphous answer: because I have to.

But when I get into the nitty gritty, I realized a few things. I love a challenge and I love to be challenged. Writing, especially novels, is a huge challenge – it's like a jigsaw puzzle, and you don't have all of the pieces when you start, and you only have a vague idea how it's supposed to turn out. Plus, I love people and I am fascinated by psychology – I've flirted with the idea of becoming a therapist about once a year. So delving into motivations and imagining characters' interactions is fascinating. And while characters are real, they're also not going to cut you off on the freeway and fuck with your Zen. So I like to hang out with them.

And, of course, I love that high, that feeling of going with the flow, when whole paragraphs come out and you look back and go, "Whoa. Where did that come from?" You know you're flowing with your higher self and your connection to the universe. It's addictive.

So for you writers out there: why do you continue to write? What drives you? What feeds your soul about it, and what challenges your brain? And for those of you who do visual art, or music, or other creative endeavors – the same questions apply.

Word-hoard:
quasation: a shaking or concussion

Myths, symbols, and folklore
ecstasy: "In many cultures it was closely connected with harvest rites and prayers for fertility. Because it creates the ability to transcend the bounds of everyday consciousness, the ecstasy achieved through dance, music, alcohol, or drugs is considered to be an expression of special connectedness to God." (Herder)

Tagged

Sat, 03 Feb 2007 15:15:08 GMT

The lovely Literate Kitten has tagged me with the letter meme…and I get "P"! So, what better chance to do a massive Word-hoard? Yes, yes, I know I'm supposed to come up with 10 words that start with P and say something interesting or clever about each of them, but I think these words speak for themselves...

pysmatic: pertaining to questioning; always asking questions

persiflage: a jeering ridicule; idle talk, nonsense, jeering

pitchkettled: puzzled

pygophilous: buttock-loving

pudendous: fit or proper to be ashamed of; disgraceful; shameful

palinoia: compulsive repetition of an act until it's perfect

paralian: someone who lives by the sea

periapt: an amulet worn as protection from disease or harm

philtrum: the vertical groove dividing the upper lip

poniard: a thin dagger

If you want to play, comment here and I'll give you a letter!

Fri, 02 Feb 2007 13:57:53 GMT

So, yeah. Found out yesterday that a good friend has breast cancer; she finds out next week the extent/severity/etc. Makes all the angst over rejections and getting an agent seem pretty ridiculous.

Depending on who you talk to (or maybe where you are, time zone-wise) yesterday or today was Imbolc and Brigid's day. Brigid, both the "pagan" goddess and the Christian St. Brigit, are celebrated variously on Feb 1 and Feb 2. Today is also Candlemas.

I particularly like Brigid because she represents inspiration. As a keeper of the flame of inspiration, she looks after both poets/writers and smithies, which I think is a very cool idea – the flame of inspiration to get you started on your creative endeavor, and the strength to persevere in your task. She also represents healing, which is much on my mind the last few days.

Here's a lovely representation of Brigid; I'll have to scan the lovely pen-and-watercolor drawing minoukatze did so I can share with you. It's gorgeous.

Word-hoard:
redivivus: living again; revived

Myths, symbols, and folklore:
Candlemas: "A feast traditionally celebrated on February 2, which formally marked the end of winter and the beginning of Spring in parts of medieval Europe. Also known as the Feast of the Purification of the Blessed Virgin Mary, Candlemas falls 40 days after Christmas, in imitation of the 40-day period of isolation that Hebrew law imposed upon mothers and their infants."

Candlemas falls on Imbolg/Imbolc. "This meant 'the surrounding belly' or 'around the belly' in Old Irish, indicating the Earth Mother's womb as the land or the soil. It featured circumambulatory rituals for the benefit of the crops, and the lighting of fires."

Thu, 01 Feb 2007 16:10:09 GMT

Word-hoard
encephalasthenia: mental fatigue due to emotional stress

Wed, 31 Jan 2007 13:54:20 GMT

Researching to write, writing to research?

I like collecting nuggets of information, like a particularly greedy squirrel. History, pop culture, literature, sociology, archaeology, art history, music, whatever.

So, when I started writing fiction about five years ago, it was naturally a great excuse to do research and learn new things. What usually happens is this: I'll write the first chapter or so of a story, and then I'll realize I don't know what the hell I’m talking about. So, hooray, I get to go research!

I've got a couple of decent university libraries nearby (I'm too lazy to go up to Stanford and they're too snooty to let me into their stacks, anyway) so off I go. It's a big production, and I generally spend all day farting around in the stacks. Sadly, the MLK library (San Jose/SJSU joint production) is too new to be musty, but on a Saturday morning there's no one around, so I get the upper floors practically to myself, as well as the huge floor-to-ceiling windows looking out on downtown SJ. It's just a great excuse to pretend I'm in college again, take copious notes, learn new things, and read, read, read.

Over the next few weeks I'll bookmark about a bajillion sites related to my topic and start plowing through those. Thank heavens for del.icio.us – I can finally organize my bookmarks and find them. I try to get the bulk of my research done ahead of time, but new stuff always crops up that I need to learn about, and the challenge there is not getting sidetracked. I've talked with Cas and Heather about this before – it's far too easy to "just check a fact" while I'm in the middle of writing, and find 15 minutes of precious writing time have evaporated.

So. What about you? Are you addicted to research? Is it a good procrastination tool?

Word-hoard
soncy: lucky and thriving

Myths, symbols, and folklore
oriole "In China it is a bird symbolic of spring, marriage, and joy."

Tue, 30 Jan 2007 13:47:15 GMT

I was going to write about the different flavors of frustration when getting rejections on queries, partials, and full reads. But then, I thought, that's just negative energy and not at all useful. As I always say, onwards and upwards. Rejections are a good reminder that the point of all of this is writing and creating, so that's what I shall do this morning. :D

Word-hoard
hypoyposis: an unusually vivid description

Huzzah!

Mon, 29 Jan 2007 20:58:33 GMT

We're all set - teacake421 and I are going to the Historical Novel Society conference in lovely Albany, NY this June! I'm all giddy: Bernard Cornwell (he of the Sharpe series) will be there, as well as some great agents and editors. They have a good program planned, and, as she said, nerd weekend with teacake421!

Mon, 29 Jan 2007 13:45:01 GMT

First, this great quote from Joseph Campbell:
Artists are magical helpers. Evoking symbols and motifs that connect us to our deeper selves, they can help us along the heroic journey of our own lives.

Apropos of nothing, you must visit the Degree Confluence Project site. From the site:

The goal of the project is to visit each of the latitude and longitude integer degree intersections in the world, and to take pictures at each location. The pictures, along with a narrative describing the adventures it took to get there are then posted on this web site. This creates an organized sampling of the world.

Another goal is to document the changes at these locations over time. Although we initially want to visit as many different locations as possible, don't hesitate to revisit a confluence if you're in the area.

We've excluded confluences in the oceans and dropped some near the poles, but there are still 11,281 to be found. You're invited to help. There is a confluence within 49 miles (79 km) of you if you are on the surface of Earth.

Want to know what Vladivostok really looks like? Moldova? Malawi? These aren't tourist photos or official shots of the "attractions" but photos of the woods, the desert, the forgotten lakes and streams, the wadis, the tiny villages. It's the real life of the planet and fascinating. The site is well organized and new photos are being added every day. If you're a travel/geography dork like me, it's like heaven.

Word-hoard (a twofer today!)
topolatry: worship of a place
paidumatic: tendency of a culture to be shaped by its physical setting (Frobenius)

Myths, symbols, and folklore
Evening Star "Like the morning star, it is a designation for the bright planet Venus, but in contrast to the morning star, it refers to the evening position of Venus. Because it is considered the herald of approaching night, it is occasionally the Christian symbol of Lucifer."

Fri, 26 Jan 2007 13:16:17 GMT

If you're a visual artist, do you also write? If you're an incredible cook, do you also draw? If you write, do you also sew/knit? Is historical research a form of creativity?

I'm so fascinated by the ways people are creative. I write, but I'm also a pretty mean baker (though hopeless as a cook). I can't draw (but love to doodle) but I love getting out my wee oil paint set and playing with color. It would be interesting to see if there's a trend: writers are more likely also sew and draw, for example. Or painters are more likely to be amazing cooks, that sort of thing. Nothing scientific, just "directional trending" as I might say in my day job. :D

So, what about you?

And, for the record, today's word-hoard and myth/symbol/folklore entry are completely random...it's entirely too early to be clever :)

Word-hoard
quiritation: a cry for help

Myths, symbols, and folklore
Gorgons "In Greek mythology they are three sisters, Euryale, Stheno, and Medusa, who are ugly monsters, the sight of whom turns the viewer to stone. They are represented with serpents in their hair or on their girdles and are often winged. They are frequently interpreted as symbolic embodiments of the horrific aspect of the numinous. When spoken of in the singular, the Gorgon usually refers to Medusa, the mortal among the three sisters, whom Perseus decapitated. In later times she was often depicted as young and beautiful."

Thu, 25 Jan 2007 13:52:49 GMT

Flicking through The Herder Dictionary of Symbols, I came across the entry for lightning (below) and was fascinated by the first line: "a symbol or expression...of divine power, which appears as terrifying or creative."

We've all heard the stories - or experienced ourselves - the spark of inspiration, a kind of lightning bolt, and that feeling of being in the moment, going with the flow, etc. That's the positive side of that lightning. But what about the terrifying side? Have you had ideas, inspirations, which have terrified you? Or at the least, been deeply disconcerting?

I have two examples. Sometime last week, I realized with a jolt (ha!) that not one, but two, characters were going to die in my current story, and I took it very personally for some reason. It scared me - why would I do that? Why would I think of doing that to a character, am I a sadist? The lightning bolt of inspiration was frightening in that moment.

When I was writing my first novel, I wrote the first chapter without a real idea of where I was going. Then, about a month later, the ideas for the plot came fast and furious - that flash of inspiration - and I stopped and thought: this is kinda weird, would anyone get this? And then I thought: oh crap, am I going to write a novel? It was a different kind of terrifying.

So what about you? Have you had flashes of inspiration that were both creative and terrifying?

Word-hoard
ascham: a box for keeping bows and arrows dry

Myths, symbols, & folklore
lightning: "A symbol or expression in many cultures of divine power, which appears as terrifying or creative. In many cultures lightnin and thunder were thought to be caused by the highest god (e.g., Jupiter/Zeus, Indra). In the Bible lightning is associated with God's wrathful judgment; a punitive God of fire, lightning, and thunder is depicted. Zeus, the hurler of lightning bolts, can be seen as a fructifying, illuminating deity as well as a punishing one. Particularly in the Orient, a relationship exists between lighning and storms or rain; hence the symbolic connection of lightning and fertility, and the phallic significance of lightning. Until recently, people in some areas of Asia and Europe have made milk offerings to pacify lightning." (~Herder)

Wed, 24 Jan 2007 14:05:01 GMT

First. Heroes. I was really excited about this show when kaseido mentioned it after ComiCon last summer. It's right up my alley – the intersection of the fantastic and the mundane and how it affects people's lives It's the type of thing I love to write about. Plus – super powers! How cool is that? But I haven't watched a single episode. If it were on at 8 and not 9, I might actually watch, but I'm an old lady now who's usually asleep by 8:45 at night. I don't watch enough TV to warrant getting Tivo, so I'll just wait until the DVD is released and I can get it from NetFlix. How sad am I?

OK, what I really wanted to talk about today: yesterday the Endicott Studio blog featured a very cool project: Memory Maps. The goal of the program is to investigate the relationship between place and the creativity and unique works that emerge as people are affected by, and affect, that location. Absolutely fascinating.

My novels (thus far) are about far-away (for me) places – France, Norway, medieval England – but the short stories I've written have been set locally. That's odd, I just realized that. I'm proud of California, and feel like I'm on a mini-mission to show people that there is so much more to the San Jose than the Silicon Valley. But when I get into a longer work, I feel like I want to really imagine, get under the skin, of another time and/or place.

So my question for you all: how does the location you live affect your work? Do you write about your hometown, or your current home?

Oh, and on the subject of San Jose history, here's an incredibly cool grassroots history project: http://sanjose.murmur.info/ (also in Toronto, Vancouver, and Montreal). The [murmur] team works with local folks to record tidbits on local history and take a photo of the location being discussed. They then post the audio file and the photo on their website. But what's even cooler is that they also put signs up at the locations being discussed (a green ear) and you can call the number on the sign and get that bit of local history. I just love this idea.

Word-hoard
cathisophobia: fear of sitting

Myths, symbols, and folklore
teeth "They are a symbol of strength, vitality, and aggressiveness."

Very random

Tue, 23 Jan 2007 14:04:06 GMT

Not sure what got me off on this track, but wanted to share something cool with y'all.

The Hardanger fiddle is a popular instrument for folk musicians in Norway (and in Norwegian-American communities here in the US). It's got quite a haunting sound, and they're absolutely gorgeous to look at.

From the Wikipedia entry:

A Hardanger fiddle or hardingfele (Norwegian) is a traditional stringed instrument from Norway. In modern designs, the instruments are very similar to the violin, but typically with thinner wood. It is different enough that a luthier accustomed to repairing violins could easily ruin a hardingfele. The instrument typically has eight or nine strings; four are played like a violin, while the rest (aptly named sympathetic strings) resonate under the influence of the other four, providing a pleasant continuous sound environment for the tune.

You've heard a hardingfele before, though you probably didn't realize it: the theme for Edoras and the Rohirrim in the Lord of the Rings movies is played on a hardingfele.

You can hear samples of the hardingfele at:

As Quick as Fire: The Art of the Norwegian Hardanger Fiddle

Traditional Norwegian Fiddle Music

Wizard Women of the North - a silly name for a very cool CD

Word-hoard
neume: "medieval musical notation, derived from the Greeks, showing relative pitch"

Mon, 22 Jan 2007 14:02:55 GMT

Apologies for those of you here who've already read this in my other LJ, but...

Thing the first: Huzzah! THE MIDNIGHT SON is a finalist in the San Francisco Writer's Conference contest! The gory details are here. Winners will be announced at the conference – as if I weren't already giddy about going to this event! It's nice to have your work recognized – THE PILGRIM GLASS was a finalist in the 2005 Faulkner-Wisdom, and now my strange little Erik is a finalist in this SFWC contest. I'm thrilled! Now, we just need find an agent…

Thing the second: if you are at all interested in folklore, myth, folklife, etc., the links at the Endicott Studio blog are not to be missed. I've mentioned before that it's a fantastic blog in and of itself, content-wise, but the collection of links is pretty spectacular. Check it out.

Thing the third: Inspiration. For your latest creation – story, painting, sweater, cake, whatever – what inspired you? What was the spark of light that led you down the road you're on? For me, it can come in the strangest ways at the strangest times.

With the novel I'm writing now, it came when I was incredibly frustrated with my first 2006 NaNo attempt. I was floundering and dissatisfied with the story and the characters. One evening, about 4 or 5 days in, I was doing a visualization for some spiritual "homework" I had, and the image of a beautiful, spare cabin on the top of a mountain, surrounded by even higher mountains, popped into my head. I wandered around the space for a while – it was very soothing, calming. My brain tends to be a rather hectic place at times, and the cabin was the perfect antidote. Then, all of a sudden, two young women sauntered in: one, strong and open-faced, with straw-blond hair and icy blue eyes; the other, delicate and mischievous, with chestnut hair and pale green eyes. And when they started talking, I was shocked to realize that their names were Elisabeth and Oleanna: my great-great aunts from Norway. I'd never met either one of them, but there they were. So I wrote down what they were chattering about, and the story began to unfold from there.

I will admit I was reluctant at first. My second novel is set in modern-day Norway, and though Elisabeth and Oleanna's story is set in 1905, I was concerned about setting another story in western Norway. But, you have to go with the flow as far as it will take you. And as always, the story and characters are surprising the heck out of me, in brilliant and shocking and funny ways.

So, for your latest creation: what inspired you to begin?

Word-hoard
parabolanus: a monk medic specializing in contagious diseases

Myths, symbols, and folklore
athanor "The alchemical furnace, in which the physical, mystical, and moral transformations took place, it is occasionally compared with the womb and the world egg."